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Girl on Girl

How Pop Culture Turned a Generation of Women Against Themselves

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Wait time: About 10 weeks
0 of 1 copy available
Wait time: About 10 weeks
“Searing… rigorously researched but never stuffy… Gilbert has compiled perhaps the first comprehensive examination of turn-of-the-millennium mainstream, cool-kid trends and ephemera, and how they were largely molded by those in power to sell a generation of girls and young women reality-warping lies.” —The New York Times
“So clear-eyed that it’s startling." —The Washington Post
“Entertaining and even energizing, transforming a dismal history into something like a rallying cry.” —The Boston Globe
From Atlantic critic and Pulitzer Prize finalist Sophie Gilbert, a blazing critique of early aughts pop culture

What happened to feminism in the twenty-first century? This question feels increasingly urgent in a moment of cultural and legislative backlash, when widespread uncertainty about the movement’s power, focus, and currency threatens decades of progress.
Sophie Gilbert identifies an inflection point in the late 1990s and early 2000s, when the energy of third-wave and “riot grrrl” feminism collapsed into a regressive period of hyper-objectification, sexualization, and infantilization. Mining the darker side of nostalgia, Gilbert trains her keen analytic eye on the most revealing cultural objects of the era, across music, film, television, fashion, tabloid journalism, and more. What she recounts is harrowing, from the leering gaze of the paparazzi to the gleeful cruelty of early reality TV and a burgeoning internet culture vicious toward women in the spotlight and damaging for those who weren’t. Gilbert tracks many of the period’s dominant themes back to the rise of internet porn, which gained widespread influence as it began to pervade our collective consciousness.
The result is a devastating portrait of a time when a distinctly American blend of excess, materialism, and power worship collided with the culture’s reactionary, puritanical, and chauvinistic currents. Amid a collective reconsideration of the way women are treated in public, Girl on Girl is a blistering indictment of the matrix of misogyny that undergirded the cultural production of the early twenty-first century, and continues to shape our world today.
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    • Kirkus

      Starred review from March 1, 2025
      How the last three decades of movies, music, and media have written the story for women. In a carefully buttressed and sharply written analysis that takes into account a dizzying number of cultural products and characters, Gilbert tries to understand how we got where we are today, a moment when the undeniable increase in women's power meets the repeal ofRoe v. Wade and the reelection of Donald Trump. If we can see what went wrong, theAtlantic staff writer says, perhaps "we can conceive of a more powerful way forward." As she considers topics ranging from the Spice Girls to Nora Ephron to Paris and Perez Hilton, fromAmerican Pie toAwkward Black Girl, from Sheryl Sandberg to Sheila Heti to Kim Kardashian, she sees that "so much of what I was trying to figure out kept coming back to porn." Insights of that sort come fast and bright, big and small: "I've always wondered why people diminish girlhood as somehow cosseted or twee, when the reality of coming-of-age as a young woman is so raw, filled with emotional violence and literal blood." "Movies in the aughts [the decade ofShallow Hal andKnocked Up]hated women." "Why is male honesty in art seen as brave while female honesty is so repellent?" The heroes of her account are sometimes unexpected, Taylor Swift and Instagram among them. Her exploration of torture porn and its connection to Abu Ghraib is not for the fainthearted. (If you've never heard of a movie calledHostel, consider yourself lucky.) Truly, Gilbert deserves a medal--not only for her observations and conclusions, but for navigating the sludge she had to wade through to get there. Essential cultural criticism. But brace yourself--it ain't pretty.

      COPYRIGHT(2025) Kirkus Reviews, ALL RIGHTS RESERVED.

    • Library Journal

      Starred review from May 30, 2025

      In this incisive and witty critique of pop culture in the aughts, Gilbert (Pulitzer Prize finalist and staff writer at The Atlantic) deconstructs the phenomenon of postfeminism by examining cultural trends across film, music, reality television, and more. From the Riot Grrrl movement of the 1990s to the 2024 presidential election, the book traces the pernicious cultural shift in the ideals of womanhood. Keen analyses of 2000s touchstones, such as Spice Girls mania, the public evisceration of Britney Spears, and the proliferation of teen sex comedies, coalesce into a scathing indictment of the porn industry. Thoroughly researched and superbly written, Gilbert's book makes a convincing case for how the mainstream infiltration of pornography normalized the hyper-sexualization and infantilization of women. The work's chronological organization allows the reader to clearly visualize historical trends and understand the connections between culture and women's agency. This sharp and entertaining delve into the grim side of 2000s nostalgia will appeal to many Millennial readers and is an important work that contextualizes the systemic misogyny that remains pervasive to this day. VERDICT An excellent addition to any nonfiction collection, this book offers a fresh perspective on what happened to feminism in the aughts.--Mia Wilson

      Copyright 2025 Library Journal, LLC Used with permission.

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